The artistic biography of Yourden Ricardo (Isla de Pinos, 1974) may well have begun quite long before his arrival in the world. Such a hypothesis probably sounds as divertimento, as a crazy joke, but for the author it would not be incongruent with his conception of impermanence, since from his spiritualism he considers that the human life flows in inexorable cycles through the times. When at some point the painter and I commented on that encounter by chance between Giorgio de Chirico and Carlo Carra, at the Military Hospital of Ferrara in 1916, an event that would not only mark the beginning of a deep friendship, but also the birth of what was made itself known as metaphysical painting, Ricardo became aware of the details, but welcomed the event without being disturbed, as a consubstantial precedent of his own concerns.
The paintings of those precursors of Surrealism, who were joined later by Alberto Savinio, Giorgio Morandi and Filippo de Pisis, emerged from the need to explore into the inner energy that they attributed to an object or an icon when it was alienated from its environment. In that obsession to delve into inaccessible areas of the reality, the group broke with the Puritan reproduction by dislocating the conventional orders and by making way for a subjectivity more connected to the unconscious than to rational flows.